Mapping as a Painterly Mode

By:
Prof. Charles Altieri
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I would like to present a paper on the social value of mapping in works of art. the paper begins as a critique of narrative and expressive models of art, then turns to the variety of ways maps have presented information while also in intriguing ways honoring the claim that visual art has to foreground the nature of the medium. Mapping continues ironic plays on flatness that begin with Jasper Johns; but now the flatness turns out to be a way for art to make direct social commentary while honoring an entirely visual medium. More generally one can argue that art matters because it keeps inventing ways of being self-conscious about its medium so that it can produce self-consciousness in its audience about social facts those in power would prefer to hide. Seeing in and seeing through are closely related.


Keywords: Mapping, Narrativity, Visual Information
Stream: Constructing Art Worlds, Analysing Artforms, Meaning and Representation
Presentation Type: Paper Presentation in English
Paper: A paper has not yet been submitted.


Prof. Charles Altieri

Professor, English, UC Berkeley
USA

Charles Altieri is interested in modernist and contemporary visual art and poetry. He has written nine books. Those especially relevant to this conference are Painterly Abstraction in Modernist American Painting, Postmodernisms Now, The Particulars of Rapture: An Aesthetics of the Affects, and two books on contemporary American poetry.

Ref: A06P0474